In the Indian subcontinent, there are many variant words such as Mehndi in North India, Pakistan and Bangladesh. In Telugu (India, Malaysia, USA), it is known as Gorintaaku. In Tamil (South India, Singapore, Malaysia, Sri Lanka) it is called "Marudhaani" and is used as ground fresh leaves rather than as dried powder. It is used in various festivals and celebrations and used by women and children. It is left on overnight and will last one month or more depending on the plant and how well it was ground and how long it is left on.
Henna has many traditional and commercial uses, the most common being as a dye for hair, skin and fingernails, as a dye and preservative for leather and cloth, and as an anti-fungal. Henna was used as a hair dye in Indian court records around 400 CE, in Rome during the Roman Empire, and in Spain during Convivienca. It was listed in the medical texts of the Ebers Papyrus (16th c BCE Egypt) and by Ibn Qayyim al-Jawziyya (14th c CE (Syria and Egypt) as a medicinal herb. In Morocco, wool is dyed and ornamented with henna, as are drumheads and other leather goods. Henna will repel some insect pests and mildew.
The United States Food and Drug Administration has not approved henna for direct application to the skin. It is unconditionally approved as a hair dye, and can only be imported for that purpose. Henna imported into the USA which appears to be for use as body art is subject to seizure, and at present it is illegal to use henna for body art in the U.S., though prosecution is rare.
PREPERATION AND APPLICATION OF PASTE:
Henna body art is made by applying henna paste to the skin: the lawsone in the paste migrates into the outermost layer of the skin and makes a red-brown stain.
Once applied to the skin, lawsone molecules gradually migrate from the henna paste into the outer layer of the skin. Though henna's lawsone will stain the skin within minutes, the longer the paste is left on the skin, the more lawsone will migrate. Henna paste will yield as much dye as the skin can easily absorb in less than eight hours. Henna tends to crack and fall off the skin during these hours, so it is often sealed down by dabbing a sugar/lemon mix over the dried paste, or simply adding some form of sugar to the paste. This also adds to the colour of the end result, increasing the intensity of the shade.
When the paste has fallen off the skin or been removed by scraping, the stain will be orange, but should darken over the following three days to a reddish brown. Soles and palms have the thickest layer of skin and so take up the most lawsone, and take it to the greatest depth, so that hands and feet will have the darkest and most long-lasting stains. Steaming or warming the henna pattern will darken the stain, either during the time the paste is still on the skin, or after the paste has been removed. Chlorinated water and soaps may spoil the darkening process: alkaline may hasten the darkening process. After the stain reaches its peak color it will appear to fade. The henna stain is not actually fading, the skin is exfoliating: the lower, less stained cells, rise to the surface, until all stained cells are shed.
TRADITIONS OF HENNA AS BODY ART:
The different words for henna in ancient languages imply that henna had more than one point of discovery and origin, and different pathways of daily and ceremonial use.
Henna has been used to adorn young women’s bodies as part of social and holiday celebrations since the late Bronze Age in the eastern Mediterranean. The earliest text mentioning henna in the context of marriage and fertility celebrations comes from the Ugaritic legend of Baal and Anath, which has references to women marking themselves with henna in preparation to meet their husbands, and Anath adorning herself with henna to celebrate a victory over the enemies of Baal. Wall paintings excavated at Akrotiri (dating prior to the eruption of Thera in 1680 BCE) show women with markings consistent with henna on their nails, palms and soles, in a tableau consistent with the henna bridal description from Ugarit. Many statuettes of young women dating between 1500 and 500 BCE along the Mediterranean coastline have raised hands with markings consistent with henna. This early connection between young, fertile women and henna seems to be the origin of the Night of the Henna, which is now celebrated world-wide.
The Night of the Henna was celebrated by most groups in the areas where henna grew naturally: Jews, Muslims, Hindus, Christians and Zoroastrians, among others, all celebrated marriages by adorning the bride, and often the groom, with henna.
Across the henna-growing region, Purim, Eid, Diwali, Karva Chauth, Passover, Nawruwz, Mawlid, and most saints’ days were celebrated with some henna. Favorite horses, donkeys, and salukis had their hooves, paws, and tails hennaed. Battle victories, births, circumcision, birthdays, Zar, as well as weddings, usually included some henna as part of the celebration. When there was joy, there was henna, as long as henna was available.
Henna was regarded as having “Barakah”, blessings, and was applied for luck as well as joy and beauty. Brides typically had the most henna, and the most complex patterns, to support their greatest joy, and wishes for luck. Some bridal traditions were very complex, such as those in Yemen, where the Jewish bridal henna process took four or five days to complete, with multiple applications and resist work.
The fashion of "Bridal Mehndi" in Northern Libya and in North Indian diasporas is currently growing in complexity and elaboration, with new innovations in glitter, gilding, and fine-line work. Recent technological innovations in grinding, sifting, temperature control, and packaging henna, as well as government encouragement for henna cultivation, have improved dye content and artistic potential for henna.
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Reference Source : Wiki



